Merriment,
a collaboration between Vic Chesnutt (lyrics and vocals) and Kelly and
Nikki Keneipp (music) is catalogued as BB008, which strikes me as kind
of cute, and indicative of the sound of this record: somewhere between
Indie and Label.
Having Vic join up with Backburner
Records is a nice coup for Backburner's Big Cheese and number
one client Jack Logan, good friend to the Keneipps, and bass player
on "Feather."
Vic Chesnutt's lyrics are elegant and crafty here,
some among his best. "Merriment" the song is a dark, dark ode to humour
Fella hanging from a clock
Someone falling from a dock
Little ripple showing shock
And then we titter
sung as a dirge, with jokes
(Chubby kid upon a trike
Opened up a dike:
She nearly lost her water)
thrown in as mournful cries.
"Bless the idiot," he sings, "Who makes us split
a gut: Roses for the butt of all our merriment." Ouch.
"Mighty Monkey," my other favourite, describes
a macabre, dying zoo.
Smell the mighty monkey
Trainer is a junkie
And the tightrope walker
Has one foot in the grave
The clowns have herpes
And hepatitis C
The chick who runs the pony ride
We call her Catherine the gross
The accompanying music is extremely folkie, and
less grungy than Vic's solo sound. Most notably different is the prominent
piano that is the core of many songs. "Preponderance" stands out from
this, as a guitar based song with heavy verses and tiny, falsetto choruses.
The production overall is good. From where I sit,
though, the record loses steam for the last three songs, which makes
for a short album as the whole thing clocks in at about a half an hour.
The instrumental reprise of "Merriment" seems a little pointless, as
many reprises do.
The vocals, with those couple of genius lyrics,
are the album's best feature. Chesnutt's singing continues to grow more
accomplished and soulful, and he employs here the sweet, tiny falsetto
that he was playing with on his tour earlier this year (with Kristin
Hersh).
Overall, this record is certainly worth getting,
and: buy it, don't tape it. It's different enough from a Vic album
to sound like a collaboration, but true enough to his sound and evolution
to fit into his career nicely.